Immerse yourself in the rich tapestry of Baroque music with William Boyce's "David's Lamentation over Saul and Jonathan." This exquisite album, released in 2000 under the Decca label, showcases the masterful compositional skills of William Boyce, a prominent figure in 18th-century English music. The album is a comprehensive collection of Boyce's works, featuring both the Dublin and London versions of "David's Lamentation over Saul and Jonathan," along with the enchanting "Ode on St Cecilia's Day."
The album spans a duration of 1 hour and 19 minutes, offering a deep dive into Boyce's musical genius. It includes a variety of vocal and instrumental pieces, such as overtures, choruses, arias, recitatives, and duets, each meticulously crafted to convey the depth of human emotion and historical narrative. The tracklist is a testament to Boyce's versatility and his ability to blend dramatic storytelling with musical elegance.
"David's Lamentation over Saul and Jonathan" is a cantata that sets the biblical lament of David over the deaths of King Saul and his son Jonathan to music. The Dublin version, composed in 1744, features a rich orchestration and a poignant narrative that captures the essence of grief and remembrance. The London version, from 1736, offers a slightly different perspective, providing a unique contrast and depth to the album.
In addition to the lamentations, the album includes the "Ode on St Cecilia's Day," a celebration of music and harmony. This ode, with its lively overtures and uplifting choruses, provides a delightful counterpoint to the more somber themes of the lamentations. The inclusion of two arias and a recitative further enriches the album, showcasing Boyce's ability to compose for both solo and ensemble voices.
The album features performances by renowned artists and ensembles, including The Hanover Band and the Choir of New College Oxford, under the direction of Graham Lea-Cox. Their interpretations bring Boyce's compositions to life, highlighting the intricate details and profound beauty of his music.
Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "David's Lamentation over Saul and Jonathan" offers a captivating journey through the world of Baroque music. The album's blend of historical narrative, musical innovation, and artistic excellence makes it a timeless addition to any music collection.
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 1. Overture: Largo - Presto allegro - LargoWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): Overture: AffettuosoWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 2. Chorus: Sing Sacred ProphetWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 3. Recitative: How Saul was by the proud Philistines slainWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 4. Aria: Israel is fall'n, is undoneWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 5. Recitative: David resum'd, his Soul afflictedWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 6. Aria: Swift indulge thy cruel AidWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 7. Recitative: Seeing the King thus tortur'dWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 8. Aria: Take this Bracelet, deck thine ArmWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 9. Recitative: Struck as with Thunder, David rends his ClothesWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 10. Chorus: For Saul, for Jonathan, they fast, they weepWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 11. Recitative: David again, 'Whence art thou?'William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 12. Aria: How cou'd Conscience hush her StingsWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 13. Recitative: Then David the Amalekite survey'dWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 14. Duet: Sad Israel! thy Beauty's PrideWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 15. Recitative: Never, O never! let this GuiltWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 16. Aria: On Thee, Mount GilboaWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 17. Chorus: Daughters of Israel, weepWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 18. Recitative: How are the Mighty fallen! O how slainWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation over Saul and Jonathan (Dublin Version, 1744): 19. Chorus: How are the Mighty fallen!William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': 1. Overture: Allegro - (Moderato)William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': Overture: MinuetWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony displayWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': 3. Aria: If the hopeless Lover's HeartWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': 4. Trio: Where Peace prevails and Plenty flowsWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': 5. Aria: In War's fierce AlarmsWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
Ode on St Cecilia's Day 'The Charms of Harmony Display': 6. Chorus: Cecilia sings and strikes the LyreWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation (London Version, 1736): 4. Aria: Israel is fall'n, is undoneWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation (London Version, 1736): 15. Recitative: Never, O never! Let this GuiltWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
David's Lamentation (London Version, 1736): 16. Aria: On thee, Mount GilboaWilliam Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox
William Boyce, born in London in 1711, was one of England's most distinguished composers of the Baroque era, often hailed as the nation's greatest native-born composer of his time. His musical journey began as a chorister at St. Paul’s Cathedral, where he honed his skills under the tutelage of Maurice Greene. Boyce's career flourished, leading him to become the Master of the King's Musick in 1755 and an organist at the Chapel Royal in 1758. Despite facing deafness later in life, he continued to compose, leaving behind a rich legacy of odes, anthems, symphonies, and stage music that resonate with the grandeur of the royal court and the vibrant energy of 18th-century London.
Boyce's compositions, including his celebrated "8 Symphonies in 8 Parts" and various overtures, showcase his mastery of the Baroque style and his ability to captivate audiences with his melodic prowess and harmonic innovation. His works, performed in grand settings and intimate gatherings alike, reflect his deep understanding of musical structure and his knack for creating pieces that are both technically impressive and emotionally resonant. Boyce's influence extended beyond his compositions; he was also a respected musical editor and a mentor to younger musicians, including the young Wolfgang Amadeus Mozart. His contributions to English music are immense, and his legacy continues to inspire musicians and enthusiasts alike.