Boustrophedon

Album Description

"Boustrophedon" is a captivating live album by the renowned free jazz saxophonist and composer Evan Parker, recorded with the Transatlantic Art Ensemble featuring Roscoe Mitchell. Released on ECM Records in February 2008, this album is a testament to Parker's innovative approach to composition and improvisation. The album's title, "Boustrophedon," refers to an ancient writing method where lines alternate direction, reflecting the intricate and layered structure of the music within.

The album features a single, continuous composition divided into eight parts: "Overture" and six "Furrows," culminating in a "Finale." This suite-like structure is a departure from Parker's more improvisational works, showcasing his detailed compositional skills. The music is a blend of free jazz and avant-garde elements, with complex arrangements that fully utilize the ensemble's talents. The Transatlantic Art Ensemble, conducted by Parker, delivers a performance that is both technically impressive and deeply expressive.

"Boustrophedon" was recorded in September 2004 and released in April 2008, offering a unique listening experience that highlights Evan Parker's versatility and creativity. The album's duration is just under an hour, making it a concise yet profound exploration of Parker's musical vision. Whether you're a longtime fan of Evan Parker or new to his work, "Boustrophedon" offers a rich and rewarding listening experience.

12 februari 2008

℗ 2008 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

About Evan Parker

Evan Parker is a pioneering British saxophonist renowned for his innovative approach to free improvisation. Born in Bristol in 1944, Parker began playing the saxophone at the age of 14 and has since become a seminal figure in the European free music scene. Known for his distinctive sound and fluid development of multiphonic techniques, Parker has consistently pushed the boundaries of what is possible on the tenor and soprano saxophones. His collaborations, notably with the Spontaneous Music Ensemble and a vast array of percussionists and electronic musicians, have solidified his status as one of the most influential and recognizable artists in avant-garde and free jazz. Parker's music is not just about notes; it's about creating a constantly evolving sonic landscape that challenges and engages the listener.