Immerse yourself in the profound and expansive world of Gustav Mahler's symphonic masterpieces with this extraordinary collection, "Boulez - Mahler." Conducted by the legendary Pierre Boulez and released by Deutsche Grammophon, this album is a comprehensive journey through Mahler's symphonic genius, spanning an impressive nine hours and fifty-three minutes. The album features a meticulous selection of Mahler's symphonies, from the stirring Symphony No. 1 in D Major to the monumental Symphony No. 8 in E-Flat Major, known as the "Symphony of a Thousand." This release also includes live performances from the Festspielhaus in Salzburg, adding a layer of authenticity and historical significance to the recordings.
The album showcases Mahler's evolution as a composer, from his early works to his later, more complex symphonies. Each piece is performed with precision and depth, highlighting Boulez's renowned interpretation and the exceptional skill of the orchestras involved. Whether you are a seasoned classical music enthusiast or a newcomer to Mahler's works, this collection offers a rich and rewarding listening experience. The inclusion of lesser-known pieces, such as the early version of "Totenfeier" and the two-movement version of "Das klagende Lied," provides a unique perspective on Mahler's creative process and artistic development. This album is a testament to Mahler's enduring legacy and Boulez's mastery of his symphonic repertoire, making it an essential addition to any classical music collection.
Symphony No. 1 in D Major: I. Langsam, schleppend – Immer sehr gemächlichGustav Mahler, Chicago Symphony Orchestra, Pierre Boulez
Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnellGustav Mahler, Chicago Symphony Orchestra, Pierre Boulez
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppenGustav Mahler, Chicago Symphony Orchestra, Pierre Boulez
Symphony No. 1 in D Major: IV. Stürmisch bewegtGustav Mahler, Chicago Symphony Orchestra, Pierre Boulez
Totenfeier (1st Version of Symphony No. 2/I)Gustav Mahler, Chicago Symphony Orchestra, Pierre Boulez
Symphony No. 2 "Resurrection": I. Allegro maestosoGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 2 "Resurrection": II. Andante moderatoGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 2 "Resurrection": III. Scherzo. In ruhig fliessender BewegungGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 2 "Resurrection": IV. Urlicht. O Röschen rot!Gustav Mahler, Michelle DeYoung, Wiener Philharmoniker, Pierre Boulez
Symphony No. 2 "Resurrection": V. Finale. Im Tempo des ScherzosGustav Mahler, Christine Schäfer, Michelle DeYoung, Wiener Singverein, Wiener Philharmoniker, Pierre Boulez
Symphony No. 3: I. Kräftig. EntschiedenGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 3: II. Tempo di minuetto. Sehr mässigGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 3: III. Comodo. Scherzando. Ohne HastGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 3: IV. Sehr langsam. Misterioso. O Mensch! Gib acht!Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck. Bimm bammGustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez, Women Chorus of Singverein der Gesellschaft der Musikfreunde, Vienna Boys' Choir
Symphony No. 3: VI. Langsam. Ruhevoll. EmpfundenGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Das klagende Lied (2 Movement Version): I. Der Spielmann: a. Beim Weidenbaum, im kühlen Tann - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Dorothea Röschmann, Anna Larsson, Johan Botha, Wiener Philharmoniker, Pierre Boulez
Das klagende Lied (2 Movement Version): I. Der Spielmann: b. Ein Spielmann zog einst des Weges daher - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Dorothea Röschmann, Anna Larsson, Johan Botha, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Das klagende Lied (2 Movement Version): I. Der Spielmann: c. Ach Spielmann, lieber Spielmann mein! - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Anna Larsson, Johan Botha, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Das klagende Lied (2 Movement Version): II. Hochzeitsstück: a. Von hohen Felsen erglänzt das Schloß - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Dorothea Röschmann, Anna Larsson, Johan Botha, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Das klagende Lied (2 Movement Version): II. Hochzeitsstück: b. Was ist der König so stumm und bleich - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Anna Larsson, Johan Botha, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Das klagende Lied (2 Movement Version): II. Hochzeitsstück: c. Ach Spielmann, lieber Spielmann mein! - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Anna Larsson, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Das klagende Lied (2 Movement Version): II. Hochzeitsstück: d. Auf springt der König von seinem Thron - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Das klagende Lied (2 Movement Version): II. Hochzeitsstück: e. Ach Bruder, lieber Bruder mein! - Live at Festspielhaus, Salzburg, 2011Gustav Mahler, Dorothea Röschmann, Johan Botha, Wiener Philharmoniker, Pierre Boulez, Wiener Staatsopernchor
Symphony No. 4: I. Bedächtig, nicht eilenGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 4: II. In gemächlicher Bewegung, ohne HastGustav Mahler, The Cleveland Orchestra, Pierre Boulez, William Preucil
Symphony No. 4: III. Ruhevoll, poco adagioGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 4: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglichGustav Mahler, Juliane Banse, The Cleveland Orchestra, Pierre Boulez
Symphony No. 5: I. TrauermarschGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 5: II. Stürmisch bewegt, mit größter VehemenzGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnellGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 5: IV. Adagietto. Sehr langsamGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 5: V. Rondo-Finale. AllegroGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 6 in A Minor: I. Allegro energico, ma non troppo. Heftig, aber markigGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 6 in A Minor: II. Scherzo. WuchtigGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 6 in A Minor: III. Andante moderatoGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 6 in A Minor: IV. Finale. Allegro moderatoGustav Mahler, Wiener Philharmoniker, Pierre Boulez
Symphony No. 7: I. Langsam – Allegro risoluto, ma non troppoGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 7: II. Nachtmusik. Allegro moderatoGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 7: III. Scherzo. SchattenhaftGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 7: IV. Nachtmusik. Andante amorosoGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 7: V. Rondo-FinaleGustav Mahler, The Cleveland Orchestra, Pierre Boulez
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: I. Veni, creator spiritusGustav Mahler, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratiaGustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: III. Infirma nostri corporis IGustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: IV. Tempo I. Allegro, etwas hastigGustav Mahler, Staatskapelle Berlin, Pierre Boulez
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: V. Infirma nostri corporis IIGustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VI. Accende lumen sensibusGustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VII. Veni, creator... Da gaudiorum praemiaGustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VIII. Gloria sit Patri DominoGustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Rundfunkchor Berlin, Chor Der Staatsoper Berlin, Aurelius Sangerknaben Calw
Gustav Mahler, born in 1860 in Bohemia, was a towering figure in the world of classical music, straddling the late Romantic and early modernist eras. A prolific composer and renowned conductor, Mahler's symphonies are celebrated for their grandeur and emotional depth, often requiring large orchestras to bring his vision to life. His journey to fame was not without obstacles; despite his conducting prowess being recognized in his lifetime, his compositions faced periods of neglect, including a ban during the Nazi era. However, post-World War II, Mahler's music experienced a resurgence, becoming a staple in concert halls and recordings worldwide. His monumental works, such as the 'Titan' symphony, continue to captivate audiences with their intricate structures and profound expressions of human experience. Mahler's legacy endures, making him one of the most performed and recorded composers of all time.