Armin Jordan presents a captivating compilation of classical masterpieces in his album, Boléro - From Ravel to Fauré and Chabrier. Released on 10 December 2024 under the esteemed label Warner Classics, this extensive collection boasts a duration of 2 hours and 23 minutes, promising an immersive experience for aficionados of the genre.
The album commences with Maurice Ravel's iconic Boléro, a mesmerising piece that showcases Jordan's mastery of orchestral nuances. The tracklist seamlessly transitions to Ravel's Ma mère l'Oye, a delightful suite that whisks listeners away to a realm of enchanting fairy tales. The inclusion of Beethoven's Triple Concerto in C Major, Op. 56, adds a touch of elegance, while Fauré's Masques et bergamasques brings a sense of vivacity and charm.
As the album progresses, Jordan's thoughtful curation guides the listener through a diverse array of compositions, featuring works by Tchaikovsky, Wagner, Prokofiev, Haydn, and Mozart. From the soaring melodies of Tchaikovsky's Variations on a Rococo Theme to the dramatic intensity of Wagner's Parsifal, each piece has been carefully selected to demonstrate Jordan's profound understanding of the classical repertoire.
The album's latter half is marked by a series of sublime performances, including Ravel's Le tombeau de Couperin and Haydn's The Creation. The former showcases Jordan's ability to craft intricate, nuanced soundscapes, while the latter highlights his capacity to balance grandeur and intimacy.
Throughout Boléro - From Ravel to Fauré and Chabrier, Armin Jordan's artistry shines brightly, as he navigates the complexities of requiem, opera, and classical music with effortless ease. This magnificent album is a testament to Jordan's dedication to his craft, and a must-listen for anyone who appreciates the beauty and richness of classical music.
Ravel: Boléro, M. 81: Pt. 1Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 2Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 3Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 4Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 5Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 6Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 7Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 8Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 9Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Boléro, M. 81: Pt. 10Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormantMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Ma mère l'Oye, M. 60: II. Petit PoucetMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodesMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la BêteMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féeriqueMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Beethoven: Triple Concerto in C Major, Op. 56: II. LargoLudwig van Beethoven, Anne Queffélec, Frédéric Lodéon, Pierre Amoyal, Armin Jordan, Orchestre National de l'Opéra de Monte-Carlo
Fauré: Masques et bergamasques, Op. 112: I. Ouverture. Allegro molto vivoGabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne
Fauré: Masques et bergamasques, Op. 112: II. Menuet. Tempo di minuetto, allegro moderatoGabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne
Fauré: Masques et bergamasques, Op. 112: III. Gavotte. Allegro vivoGabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne
Fauré: Masques et bergamasques, Op. 112: IV. Pastorale. Andantino tranquilloGabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Moderato assai quasi andante - Thema. Moderato semplicePyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation I. Tempo della themaPyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation II. Tempo della themaPyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation III. Andante sostenutoPyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation IV. Andante graziosoPyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation V. Allegro moderatoPyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI. AndantePyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII e Coda. Allegro vivoPyotr Ilyich Tchaikovsky, Frédéric Lodéon, Armin Jordan, Orchestre Philharmonique de Monte-Carlo
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: I. Folk DanceSergei Prokofiev, Armin Jordan, Orchestre de la Suisse Romande
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: II. SceneSergei Prokofiev, Armin Jordan, Orchestre de la Suisse Romande
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: III. MadrigalSergei Prokofiev, Armin Jordan, Orchestre de la Suisse Romande
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: IV. MinuetSergei Prokofiev, Armin Jordan, Orchestre de la Suisse Romande
Haydn: The Seven Last Words, Hob. XX/1A: Il terremoto. Presto e con tutta la forzaJoseph Haydn, Armin Jordan, Ensemble Orchestral de Paris
Mozart: Piano Concerto No. 12 in A Major, K. 414: III. AllegrettoWolfgang Amadeus Mozart, Maria João Pires, Armin Jordan, Orchestre de Chambre de Lausanne
Ravel: Le tombeau de Couperin, M. 68: I. PréludeMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Le tombeau de Couperin, M. 68: II. ForlaneMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Le tombeau de Couperin, M. 68: III. MenuetMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Ravel: Le tombeau de Couperin, M. 68: IV. RigaudonMaurice Ravel, Armin Jordan, Orchestre de la Suisse Romande
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assaiJoseph Haydn, Anne Queffélec, Armin Jordan, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, Vorspiel. Die Vorstellung des ChaosJoseph Haydn, Armin Jordan, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1b, Rezitative und Chor. "Am Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte" - "Und Gott sah das Licht" (Raphael, Chorus, Uriel)Joseph Haydn, Armin Jordan, Chœur Pro Arte, Choeur de la Radio Suisse Romande, Eric Tappy, Kurt Rydl, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chorus)Joseph Haydn, Armin Jordan, Chœur Pro Arte, Choeur de la Radio Suisse Romande, Eric Tappy, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Rezitativ. "Und Gott machte das Firmament" (Raphael)Joseph Haydn, Armin Jordan, Kurt Rydl, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 4, Solo mit Chor. "Mit Staunen sieht das Wunderwerk" (Gabriel, Chorus)Joseph Haydn, Armin Jordan, Chœur Pro Arte, Choeur de la Radio Suisse Romande, Margaret Marshall, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 5, Rezitativ. "Und Gott sprach, es sammle sich" (Raphael)Joseph Haydn, Armin Jordan, Kurt Rydl, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 6, Arie. "Rollend in schäumenden Wellen" (Raphael)Joseph Haydn, Armin Jordan, Kurt Rydl, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 7, Rezitativ. "Und Gott sprach, es bringe die Erde" (Gabriel)Joseph Haydn, Armin Jordan, Margaret Marshall, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Arie. "Nun beut die Flur das frische Grün" (Gabriel)Joseph Haydn, Armin Jordan, Margaret Marshall, Orchestre de Chambre de Lausanne
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 9, Rezitativ. "Und die himmlischen Heerscharen" (Uriel)Joseph Haydn, Armin Jordan, Eric Tappy, Orchestre de Chambre de Lausanne
Armin Jordan, born in Lucerne, Switzerland, in 1932, was a towering figure in the classical music world, renowned for his profound interpretations of French music, Mozart, and Wagner. His commanding presence on the podium belied a conducting style marked by careful understatement and precision. Jordan's journey into music was unconventional; he initially pursued studies in literature, law, and theology before dedicating himself fully to his musical passion.
Throughout his illustrious career, Jordan held esteemed conducting posts at the opera houses of Zurich, St. Gallen, and Basel, as well as with the Lausanne Chamber Orchestra and the Orchestre de la Suisse Romande. His repertoire was vast and varied, encompassing everything from opera to orchestral works, and he was particularly celebrated for his mastery of the French repertoire. Jordan's influence extended far beyond Switzerland, with performances at prestigious venues across Europe, including the Opéra de Lyon, the Théâtre de la Monnaie in Brussels, and the opera houses of Hamburg, Munich, and Vienna.
Jordan's legacy is one of musical excellence and dedication, leaving behind a discography that showcases his artistry and the deep connections he forged with the orchestras he led. His work continues to inspire and captivate audiences, a testament to his enduring impact on the world of classical music.
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