Big Mouth

Immerse yourself in the rich, vibrant sounds of Milt Jackson's "Big Mouth," a captivating jazz album released in 1981. This masterful collection showcases Jackson's virtuosity on the vibraphone, blending hard bop, bebop, cool jazz, and jazz blues into a seamless and enchanting musical experience. Produced by the legendary bassist Ray Brown, a close friend of Jackson's for over five decades, the album is a testament to their enduring musical partnership.

"Big Mouth" features a diverse range of tracks, from the upbeat and energetic "Big Mouth" and "Bags' Groove" to the sultry and romantic "The Look of Love" and "I Love You." The album also includes a beautiful rendition of "The Days of Wine and Roses," showcasing Jackson's versatility and depth as a musician. Each track is meticulously crafted, highlighting Jackson's impeccable technique and his ability to infuse every note with warmth and soul.

Recorded between April 18, 1980, and February 27, 1981, the album captures a moment in time when jazz was evolving, and Milt Jackson was at the forefront of this evolution. The influence of Latin, rock, and boogaloo rhythms is evident throughout, adding a unique and dynamic layer to the traditional jazz framework. Whether you're a seasoned jazz enthusiast or a casual listener, "Big Mouth" offers a timeless and enjoyable listening experience that stands the test of time.

Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.