Dive into the profound and captivating world of Heinrich Ignaz Franz von Biber's "The Mystery Sonatas," a masterful collection of Baroque music that transcends the boundaries of traditional composition. Released in 2018 by Linn Records, this album features fifteen sonatas, each intricately crafted to depict a specific mystery from the Catholic Rosary, culminating in a stirring passacaglia for solo violin. The sonatas are divided into three groups corresponding to the Joyful, Sorrowful, and Glorious Mysteries, offering a rich tapestry of musical storytelling that reflects the depth and complexity of Catholic art and culture.
From the haunting "Lamento" of "The Agony in the Garden" to the triumphant "Hymn 'Surrexit Christus hodie'" in "The Resurrection," each piece is a testament to Biber's virtuosity and innovative spirit. The album spans two hours of enchanting music, showcasing Biber's unique ability to blend technical brilliance with profound emotional resonance. Whether you're a seasoned classical music enthusiast or a curious newcomer, "The Mystery Sonatas" promises an unforgettable journey through the heights and depths of human experience, as seen through the lens of one of the Baroque era's most visionary composers.
2018 Outhere2018 Linn Records
Tracks
Sonata I in D Minor ‘The Annunciation’: Praeludium – Aria and 2 Variations – FinaleHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata II in A Major ‘The Visitation’: [Sonata] / Presto – Allamanda – PrestoHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata III in B Minor ‘The Nativity’: [Sonata] / Presto – Courente and double – AdagioHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata IV in D Minor ‘The Presentation of Jesus in the Temple’: Ciacona with 12 VariationsHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata V in A Major ‘The Finding of Jesus in the Temple’: Praeludium – Allamanda – Gigue – Sarabande and doubleHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata VI in C Minor ‘The Agony in the Garden’: LamentoHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata VII in F Major ‘The Scourging of Jesus’: Allamanda and Variation – Sarabanda and 3 VariationsHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata VIII in B-Flat Major ‘The Crowning with Thorns’: Sonata: Adagio / Presto – Gigue and 2 doublesHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata IX in A Minor ‘The Carrying of the Cross’: Sonata – Courente and 2 doubles – FinalHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata X in G Minor ‘The Crucifixion’: Praeludium – Aria and 5 VariationsHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata XI in G Major ‘The Resurrection’: Sonata – Hymn ‘Surrexit Christus hodie’ and VariationsHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata XII in C Major ‘The Ascension’: Intrada – Aria tubicinum – Allemanda – Courante and doubleHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata XIII in D Minor ‘The Descent of the Holy Ghost’: Sonata – Gavotte – Gigue – SarabandaHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata XIV in D Major ‘The Assumption of the Virgin’: [Sonata] – Arias 1 and 2 – GigueHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Sonata XV in C Major ‘The Coronation of the Virgin’: Sonata – Aria with 3 doubles – Canzona – Sarabanda and doubleHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque
Passacaglia in G Minor for Solo ViolinHeinrich Ignaz Franz von Biber, Christina Day Martinson, Martin Pearlman, Boston Baroque