Dive into the timeless world of jazz with Shelly Manne's "Bells Are Ringing," a remastered gem originally released in 1959 and brought back to life in 2012. This album is a vibrant journey through the realms of cool jazz, hard bop, bebop, and even a touch of ragtime, showcasing Manne's mastery as a drummer and bandleader. Collaborating with the legendary André Previn on piano and Red Mitchell on bass, Manne crafts an engaging and dynamic soundscape that's as fresh today as it was over six decades ago.
"Bells Are Ringing" features ten tracks, each a testament to the band's virtuosity and chemistry. From the playful "I Met a Girl" to the sultry "Mu-Cha-Cha," and the dual interpretations of "The Party's Over" (both ballad and up-tempo versions), the album offers a diverse range of moods and tempos. The tracks are drawn from the musical "Bells Are Ringing" by Jule Styne, with lyrics by Betty Comden and Adolph Green, adding a theatrical flair to the jazz ensemble's performance.
The album's duration is a concise 43 minutes, making it a perfect listen from start to finish. Whether you're a jazz aficionado or a newcomer to the genre, Shelly Manne's "Bells Are Ringing" is a delightful exploration of sound, skill, and musical storytelling. The remastered version ensures that the audio quality is crisp and clear, allowing you to fully appreciate the intricate details of Manne's drumming and the harmonious interplay between the trio. This album is not just a collection of songs; it's a celebration of jazz in its purest form, a testament to the enduring legacy of Shelly Manne and his collaborators.
Shelly Manne, born Sheldon Manne, was a titan of jazz drumming, renowned for his versatility and deep musicality. Hailing from New York City, Manne's career spanned over four decades, leaving an indelible mark on the genre, particularly in the development of West Coast jazz. His inventive and lyrical drumming style made him a sought-after musician, collaborating with countless famous musicians and composers. Manne's prowess extended beyond jazz, contributing to the musical scores of hundreds of Hollywood films and television programs. He was not just a drummer but also a bandleader and businessman, opening his own jazz club, Shelly's Manne-Hole, in Los Angeles. Manne's unique solos, often infused with humor, showcased his phenomenal technique and adaptability across various styles, from swing and bebop to avant-garde and fusion. His legacy includes over a thousand recordings, cementing his status as one of the greatest jazz drummers in history.
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