Behind Closed Doors

Dive into the dynamic world of jazz with Peter Erskine's "Behind Closed Doors," a captivating collection of previously unreleased tracks that span from 1991 to 1996. This album is a testament to Erskine's versatility and mastery behind the drum kit, showcasing his work in a variety of settings—from solo performances to collaborations with the WDR Big Band and other small ensembles.

Released on January 1, 1991, under the Fuzzy Music label, "Behind Closed Doors" is a journey through the rich tapestry of jazz and jazz fusion. The album features ten tracks, each offering a unique blend of styles and influences, with a total duration of 1 hour and 10 minutes. Standout tracks include the energetic "Bulgana," the introspective "If Only I Had Known," and the lively "Caribe," each highlighting Erskine's exceptional skill and creativity.

Erskine's drumming is the heartbeat of this album, driving the music forward with precision and passion. Whether he's playing with a big band or a smaller group, his presence is felt in every beat, making "Behind Closed Doors" a standout addition to any jazz enthusiast's collection. This album is not just a collection of songs but a celebration of Peter Erskine's artistic journey, capturing the essence of his musical evolution over the years.

Peter Erskine is a renowned American jazz drummer, celebrated for his dynamic contributions to the genre and his influential role in jazz fusion. Born in Somers Point, New Jersey, in 1954, Erskine began his musical journey at the tender age of four, quickly ascending to the forefront of world-class jazz. He is best known for his tenure with the legendary band Weather Report and his work with the fusion group Steps Ahead. Erskine's discography is extensive and diverse, featuring collaborations with some of the most respected names in jazz. His compositions, such as those found on 'Time Being', are noted for their emotional depth and intelligent craftsmanship. Beyond his performing career, Erskine is also an esteemed educator, serving as an International Visiting Professor at the Royal Academy of Music. His insights into jazz drumming are further explored in his book, 'Jazz Drumming Perspectives', making him a valuable figure both on and off the stage.