Friedrich Gulda's 'At Birdland' is a captivating album that showcases the artist's bold venture into the world of jazz. As a classical pianist of international stature, Gulda's decision to explore jazz was a controversial one, particularly given the purist attitudes prevalent in the classical music scene at the time. However, following a meeting with Dizzy Gillespie in 1951, Gulda became enamoured with the genre and eventually made his American debut at the renowned Birdland in New York City in 1956.
This album, recorded in 1957, features Gulda's sextet, comprising Idrees Sulieman on trumpet, Jimmy Cleveland on trombone, Phil Woods on alto saxophone, Seldon Powell on tenor saxophone, Aaron Bell on bass, and Nick Stabulas on drums. The tracks, including 'Vienna Discussion', 'Scruby', and 'Dark Glow', demonstrate Gulda's unique ability to blend classical technique with jazz improvisation. The album also includes a rendition of 'A Night in Tunisia', showcasing the sextet's mastery of the genre.
With its rich sound and infectious energy, 'At Birdland' is a testament to Gulda's innovative spirit and his desire to push boundaries. The album's release in 2015, nearly six decades after its original recording, is a reminder of the timeless appeal of Gulda's music. Friedrich Gulda's 'At Birdland' is an essential listen for fans of jazz and classical music alike, offering a fascinating glimpse into the artist's groundbreaking fusion of styles.
Friedrich Gulda was an Austrian musical maverick, equally at home in the worlds of classical and jazz piano. Born in Vienna in 1930, Gulda began his piano journey at the age of seven and went on to win the prestigious Geneva International Music Competition in 1946. His career was marked by a fearless blending of genres, with a discography that includes not just classical masterpieces like Bach's Well-Tempered Clavier and Beethoven's 32 Piano Sonatas, but also spontaneous jazz improvisations and collaborations with legends like Joe Zawinul and Chick Corea. Gulda's compositions often fused notated music with large improvised sections, reflecting his belief in the power of spontaneity. Known for his eccentric stage personality and unconventional ideas, Gulda earned the nickname 'terrorist-pianist,' challenging musical norms and leaving an indelible mark on both the classical and jazz scenes. His legacy continues to inspire, with his interdisciplinary approach and artistic heritage celebrated through various events and exhibitions.
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