Jean-Guihen Queyras, the renowned French cellist, presents a captivating collection of cello concertos with his latest album, featuring works by Antonín Kraft and Carl Philipp Emanuel Bach. Released on August 30, 2024, under the harmonia mundi label, this album showcases two distinct yet equally enchanting compositions from the Classical era.
The album opens with Antonín Kraft's Cello Concerto in C Major, Op. 4, a piece that demonstrates Kraft's mastery in crafting engaging and melodious compositions. The concerto's three movements—Allegro aperto, Romance. Andante, and Rondo alla Cosacca. Moderato—offer a delightful blend of technical prowess and lyrical beauty, with Queyras' expressive playing bringing out the humor and singable melodies that Kraft intended for his audience.
The second half of the album is dedicated to Carl Philipp Emanuel Bach's Cello Concerto in B-Flat Major, H. 436, Wq. 171. Composed half a century before Kraft's concerto, Bach's work exhibits a more Baroque influence, yet it feels seamlessly connected to the Classical style. The three movements—Allegretto, Adagio, and Allegro assai—are performed with precision and sensitivity by Queyras, accompanied by the talented Ensemble Resonanz and conducted by Riccardo Minasi.
With a total runtime of 45 minutes, this album is a concise yet satisfying exploration of two significant works in the cello concerto repertoire. Jean-Guihen Queyras' impeccable technique and deep musicality shine through in every note, making this release a treat for both classical music enthusiasts and newcomers alike. The album is available on major streaming platforms and can be purchased for those who prefer a physical copy.
Jean-Guihen Queyras is a renowned French cellist whose journey began in Montreal, Canada, before moving to Algeria and eventually settling in France. Born in 1967, Queyras has carved out a distinguished career marked by versatility and a deep dedication to his craft. His repertoire spans a wide range of classical and chamber music, with a particular affinity for the works of Bach and Schumann. Queyras is not just a performer but also an educator, serving as a professor at the Musikhochschule Freiburg since 2011, and a cultural leader, co-directing the Rencontres Musicales de Haute-Provence. His artistic prowess was recognized with the prestigious Glenn Gould Protégé Prize in 2002. Whether collaborating with esteemed musicians like Alexander Melnikov and Isabelle Faust or exploring the depths of solo cello suites, Queyras' performances are characterized by curiosity, diversity, and an unwavering commitment to the music.
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