Antologia di Trascrizioni per Chitarra dal Clavicembalo

Immerse yourself in the timeless elegance of Girolamo Frescobaldi's "Antologia di Trascrizioni per Chitarra dal Clavicembalo," a captivating collection of transcriptions for guitar from the harpsichord, released on November 24, 2017, under the SINFONICA label. This exquisite album spans 32 minutes, offering a rich tapestry of musical compositions that showcase Frescobaldi's mastery and the enduring allure of the harpsichord, a central figure in music from the 16th to the 18th centuries.

The album features a diverse array of pieces, including "Balletto I Corrente e Passacagli," "Balletto III Corrente e Passacagli," and "Passacaille," each meticulously transcribed for guitar, providing a fresh perspective on Frescobaldi's original works. Ganesh Del Vescovo's interpretation brings a new dimension to these classical pieces, making them accessible and engaging for modern audiences.

Frescobaldi, a renowned composer of the late Renaissance and early Baroque periods, is celebrated for his innovative and expressive compositions. This album is a testament to his enduring influence and the timeless beauty of his music. Whether you're a classical music enthusiast or a curious listener, "Antologia di Trascrizioni per Chitarra dal Clavicembalo" offers a delightful journey through the rich history of musical expression.

Girolamo Alessandro Frescobaldi, born in the Duchy of Ferrara in 1583, was a virtuoso keyboard player and one of the most influential composers of the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under the renowned Luzzasco Luzzaschi and was inspired by several notable composers of his time. His career reached great heights when he was appointed as the organist of St. Peter's Basilica in Rome, a position he held intermittently from 1608 until his death in 1643. Frescobaldi's compositions for harpsichord and organ are celebrated for their technical brilliance and emotional depth, making him a pivotal figure in the development of keyboard music. His work not only defined the Italian Baroque style but also had a profound impact on the German Baroque school, solidifying his legacy as one of the first great masters of organ composition.