Pauline Oliveros' seminal work, Alien Bog / Beautiful Soop, is a groundbreaking compilation that showcases her pioneering spirit in the realm of electronic music. Released in 1997 on the Pogus label, this album is a testament to Oliveros' innovative approach to sound experimentation. The two compositions, 'Alien Bog' (1967) and 'Beautiful Soop' (1966), were created using the original Buchla Box 100 series synthesizer, designed by Don Buchla for the Tape Music Center at Mills College, where Oliveros was the first director.
These vintage electronic pieces demonstrate Oliveros' fascination with the sonic possibilities of the Buchla synthesizer, as well as her tape delay system. The sounds that emanate from these compositions are a direct result of her experimentation with the equipment, often inspired by her surroundings, such as the frog pond outside the studio window at Mills College. The resulting music is a unique blend of drone, avant-garde, minimalism, ambient, and experimental genres, which have had a profound influence on the development of American music.
As a senior figure in contemporary American music, Pauline Oliveros has profoundly impacted the music scene through her work with improvisation, meditation, electronic music, myth, and ritual. Her concept of "Deep Listening" has also been instrumental in shaping her approach to music. This album, Alien Bog / Beautiful Soop, is a rare opportunity to experience Oliveros' early electronic works, which have been widely acclaimed for their innovative and visionary approach to sound art. With a total duration of 1 hour, this compilation is a must-listen for anyone interested in the evolution of electronic music and the pioneering work of Pauline Oliveros.
Pauline Oliveros, a pioneering American composer and accordionist, stands as a titan in the realms of experimental and electronic music. Born in Houston, Texas, in 1932, Oliveros was a proud lesbian and feminist whose innovative spirit blazed trails through the avant-garde, drone, minimalism, and ambient genres. She was renowned for her groundbreaking mixed-media compositions in the 1960s, seamlessly blending diverse musical elements and technologies. Oliveros was not just a composer but also a lecturer, theorist, and writer, leaving an indelible mark with her influential 1984 text "Software for People." Her deep listening practice, designed to enhance performers' responsiveness to their environment, further cemented her legacy as a visionary in the music world. Oliveros's journey was one of continuous evolution, making her a true icon in the development of post-war experimental and electronic art music.
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