Acoustic Reflections - Live - Little Center, Clark University, Worcester, Mass. June 23, 1976 - Larry Coryell

Album Description

Larry Coryell's 'Acoustic Reflections - Live - Little Center, Clark University, Worcester, Mass. June 23, 1976' is a captivating live album that showcases the artist's mastery of jazz fusion and smooth jazz. Recorded on a summer evening in 1976, this album is a testament to Coryell's skill and artistry.

With a duration of 1 hour and 8 minutes, the album takes the listener on a musical journey through a diverse range of tracks, including 'Julie Labelle', 'Juju', and 'Rodrigo Reflections'. The release, which initially saw the light of day on 1 January 1976 via the HiHat label, is a treasure trove of jazz delights, featuring intricate improvisations and beautiful melodies.

Throughout the album, Coryell's virtuosity shines, as he navigates complex compositions such as 'Improvisations On a Sarabande' and 'The Restful Mind' with ease. The album also features more introspective tracks like 'Eyes of Love' and 'Gratitude', showcasing Coryell's ability to craft emotive and heartfelt music.

The tracklist is rounded out by the likes of 'Bouquet', 'Renee’s Theme', 'Ain’t It Is', 'St. Gallen', and 'Spain', each one a testament to Coryell's boundless creativity and innovative spirit. As a whole, 'Acoustic Reflections' is a must-listen for fans of Larry Coryell and jazz enthusiasts alike, offering a unique glimpse into the artist's live performances and musical genius.

January 1, 1976

1976 HiHat

2015 HiHat

About Larry Coryell

Larry Coryell, often hailed as the "godfather of fusion," was an American jazz guitarist whose innovative spirit and virtuosic skills left an indelible mark on the music world. Born in Galveston, Texas, Coryell was a pioneer in blending jazz, country, and rock, creating a unique sound that resonated with audiences worldwide. His collaborations with legendary musicians like John McLaughlin, Chick Corea, and Paco de Lucía showcased his versatility and musical prowess. Beyond his performances, Coryell was also a dedicated educator and writer, contributing a monthly column to Guitar Player magazine for over a decade. With his band The Eleventh House, he helped shape the jazz-rock genre, leaving behind a rich legacy of improvisational brilliance and timeless compositions. Coryell's final concert recording, "The Last Call," serves as a poignant reminder of his enduring impact on the world of jazz and jazz-rock.