A Golden Treasury of His English Columbia 78s

Immerse yourself in the golden age of classical music with "A Golden Treasury of His English Columbia 78s (1931-1937)," a captivating collection of recordings by the legendary violinist Joseph Szigeti. This album is a treasure trove of performances that showcase Szigeti's virtuosity and deep musical insight, recorded during his prime years with the Hallé Orchestra under the batons of Bruno Walter and Hamilton Harty.

Spanning a diverse range of compositions, this two-hour and thirty-one-minute journey features iconic works by Bach, Beethoven, Brahms, Mozart, and Mendelssohn. Szigeti's collaborations with pianists Nikita Magaloff and Egon Petri add depth and richness to the sonatas, while his renditions of violin concertos are nothing short of breathtaking. The inclusion of cadenzas by Joseph Joachim adds a personal touch, highlighting Szigeti's unique interpretive style.

Recorded between 1931 and 1937, these performances offer a glimpse into the golden era of 78-rpm recordings, capturing the essence of live performances with a warmth and immediacy that is often lost in modern productions. The album is a testament to Szigeti's enduring legacy, providing both seasoned classical enthusiasts and newcomers with an opportunity to experience the artistry of one of the 20th century's most celebrated violinists.

Joseph Szigeti, born Jóska Singer in 1892, was a Hungarian virtuoso violinist who left an indelible mark on the classical music world. Born into a musical family in Transylvania, Szigeti began his violin lessons at the tender age of seven, quickly showcasing his prodigious talent. He studied under the renowned Jenő Hubay at the Budapest Academy, honing his skills and setting the stage for a remarkable career.

Szigeti was known for his intellectual approach to music, earning him the moniker "The Scholarly Virtuoso." His performances were marked by a deep harmonic understanding and an adventurous spirit, making him a standout figure in the violin world. Unlike many of his contemporaries, Szigeti's appeal lay not in a glamorous sound or thrilling vibrato, but in his unique interpretive abilities and technical prowess.

One of Szigeti's most notable achievements was his collaboration with jazz musician Benny Goodman in a 1939 Carnegie Hall recital, making him one of the first classical violinists to bridge the gap between classical and jazz music. His recordings, including a seminal set of Bach's solo sonatas and partitas in his early 60s, continue to inspire musicians and enthusiasts alike. Szigeti's legacy as a virtuoso and educator endures, making him a beloved figure in the annals of classical music.