- Albums
- 20th century - maurizio pollini
20th Century
- 2011
- 81 tracks
- 3 uur, 29 min
- classical piano
Album Description
Immerse yourself in the masterful artistry of Maurizio Pollini with this expansive six-CD collection, "20th Century." Released in 2011 under the prestigious Deutsche Grammophon label, this compilation showcases Pollini's unparalleled skill and deep affinity for 20th-century classical piano repertoire. Spanning over three hours and twenty-nine minutes, the album features a meticulously curated selection of works that highlight Pollini's versatility and technical brilliance.
The album opens with three movements from Igor Stravinsky's iconic "Petrushka," setting the stage for a journey through some of the most significant and innovative compositions of the 20th century. Pollini's interpretations are marked by their precision, depth, and a profound understanding of the composers' intentions. The tracklist includes seminal works by composers such as Prokofiev, Schoenberg, and Boulez, each performed with a level of mastery that has earned Pollini widespread acclaim.
In addition to solo piano pieces, the collection features collaborative works with renowned orchestras and conductors, including the Symphonieorchester des Bayerischen Rundfunks, Berliner Philharmoniker, and Chicago Symphony Orchestra, under the batons of Claudio Abbado and Giuseppe Sinopoli. These collaborations add a rich, symphonic dimension to the album, showcasing Pollini's ability to blend seamlessly with other musical forces.
The album is a testament to Pollini's enduring commitment to championing modern music, from his early recordings to his more recent explorations. Whether you are a seasoned classical enthusiast or a newcomer to the genre, this collection offers a comprehensive and captivating exploration of 20th-century piano music. With its high-quality recordings and insightful performances, "20th Century" is a essential addition to any classical music library.
Tracks
- 3 Movements from Petrushka, K12: I. Danse russeIgor Stravinsky, Maurizio Pollini
- 3 Movements from Petrushka, K12: II. Chez PétrouchkaIgor Stravinsky, Maurizio Pollini
- 3 Movements from Petrushka, K12: III. La semaine grasseIgor Stravinsky, Maurizio Pollini
- Piano Sonata No. 7 in B-Flat Major, Op. 83: I. Allegro inquieto – Andantino – Allegro inquieto, come ISergei Prokofiev, Maurizio Pollini
- Piano Sonata No. 7 in B-Flat Major, Op. 83: II. Andante caloroso – Poco più animato – Tempo ISergei Prokofiev, Maurizio Pollini
- Piano Sonata No. 7 in B-Flat Major, Op. 83: III. PrecipitatoSergei Prokofiev, Maurizio Pollini
- Variations for Piano, Op. 27: I. Sehr mäßigAnton Webern, Maurizio Pollini
- Variations for Piano, Op. 27: II. Sehr schnellAnton Webern, Maurizio Pollini
- Variations for Piano, Op. 27: III. Ruhig fließendAnton Webern, Maurizio Pollini
- Piano Sonata No. 2: I. Extrèmement rapidePierre Boulez, Maurizio Pollini
- Piano Sonata No. 2: II. LentPierre Boulez, Maurizio Pollini
- Piano Sonata No. 2: III. Modéré, presque vifPierre Boulez, Maurizio Pollini
- Piano Sonata No. 2: IV. VifPierre Boulez, Maurizio Pollini
- Como una ola de fuerza y luz: BeginningLuigi Nono, Bavarian Radio Symphony Orchestra, Claudio Abbado
- Como una ola de fuerza y luz: I. Interno dolceLuigi Nono, Slavka Taskova, Bavarian Radio Symphony Orchestra, Claudio Abbado
- Como una ola de fuerza y luz: II. Duro decisoLuigi Nono, Slavka Taskova, Bavarian Radio Symphony Orchestra, Claudio Abbado
- Como una ola de fuerza y luz: Piano EntryLuigi Nono, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado
- Como una ola de fuerza y luz: III. Dolcissimo serenoLuigi Nono, Slavka Taskova, Bavarian Radio Symphony Orchestra, Claudio Abbado
- Como una ola de fuerza y luz: Orchestra EntryLuigi Nono, Bavarian Radio Symphony Orchestra, Claudio Abbado
- Como una ola de fuerza y luz: Orchestra and Piano EntryLuigi Nono, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado
- ....Sofferte onde serene.... (For Piano and Magnetic Tape)Luigi Nono, Maurizio Pollini
- Masse: Omaggio a Edgar VareseGiacomo Manzoni, Maurizio Pollini, Berliner Philharmoniker, Giuseppe Sinopoli
- Three Piano Pieces, Op. 11 (1909): I. Mäßige ViertelArnold Schoenberg, Maurizio Pollini
- Three Piano Pieces, Op. 11 (1909): II. Mässige AchtelArnold Schoenberg, Maurizio Pollini
- Three Piano Pieces, Op. 11 (1909): III. Bewegte AchtelArnold Schoenberg, Maurizio Pollini
- Sechs kleine Klavierstücke, Op. 19: No. 1 - Leicht, zartArnold Schoenberg, Maurizio Pollini
- Sechs kleine Klavierstücke, Op. 19: No. 2 - LangsamArnold Schoenberg, Maurizio Pollini
- Sechs kleine Klavierstücke, Op. 19: No. 3 - Sehr langsame ViertelArnold Schoenberg, Maurizio Pollini
- Sechs kleine Klavierstücke, Op. 19: No. 4 - Rasch, aber leichtArnold Schoenberg, Maurizio Pollini
- Sechs kleine Klavierstücke, Op. 19: No. 5 - Etwas raschArnold Schoenberg, Maurizio Pollini
- Sechs kleine Klavierstücke, Op. 19: No. 6 - Sehr langsamArnold Schoenberg, Maurizio Pollini
- Fünf Klavierstücke: I. Sehr langsamArnold Schoenberg, Maurizio Pollini
- Fünf Klavierstücke: II. Sehr raschArnold Schoenberg, Maurizio Pollini
- Fünf Klavierstücke: III. LangsamArnold Schoenberg, Maurizio Pollini
- Fünf Klavierstücke: IV. Schwungvoll. Mässige (Viertel)Arnold Schoenberg, Maurizio Pollini
- Fünf Klavierstücke: V. WalzerArnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: I. Präludium, raschArnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: IIa. Gavotte. Etwas langsam, nicht hastig (attaca) Rascher. Rascher - GavotteArnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: IIb. Musette: RascherArnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: IIc. Gavotte (da capo)Arnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: III. IntermezzoArnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: IV. Minuett: Moderato - TrioArnold Schoenberg, Maurizio Pollini
- Suite für Klavier, Op. 25: V. Gigue: RaschArnold Schoenberg, Maurizio Pollini
- Piano Piece Op. 33a: MässigArnold Schoenberg, Maurizio Pollini
- Piano Piece Op. 33b: Mässig langsamArnold Schoenberg, Maurizio Pollini
- Piano Concerto, Op. 42: I. AndanteArnold Schoenberg, Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado
- Piano Concerto, Op. 42: II. Molto allegroArnold Schoenberg, Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado
- Piano Concerto, Op. 42: III. AdagioArnold Schoenberg, Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado
- Piano Concerto, Op. 42: IV. Giocoso. ModeratoArnold Schoenberg, Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado
- Piano Concerto No. 1, Sz. 83: I. Allegro moderato – AllegroBéla Bartók, Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado
About Maurizio Pollini
Maurizio Pollini, the celebrated Italian pianist and conductor, left an indelible mark on the classical music world with his virtuoso performances and unwavering commitment to both traditional and contemporary repertoire. Born into an artistic family in Milan in 1942, Pollini's journey began with a triumphant victory at the VI International Chopin Piano Competition in 1960 at the age of just 18. His interpretations of Beethoven, Chopin, and Debussy are hailed as classics, showcasing his impeccable technique and profound musicality.
Beyond his mastery of the keyboard, Pollini was a champion of modern composers, premiering works by Pierre Boulez, Karlheinz Stockhausen, and Luigi Nono, among others. His collaborations with conductors like Claudio Abbado and Daniel Barenboim further enriched his musical legacy. Pollini's influence extended beyond the concert hall; he was also a left-wing activist in the 1960s and 1970s, reflecting his deep engagement with the social and political issues of his time.
As a conductor, Pollini played a pivotal role in the Rossini revival, notably conducting "La donna del lago" from a new critical edition in 1981. His ability to conduct from the keyboard highlighted his versatility and deep understanding of music. Pollini's career was marked by numerous awards and accolades, including multiple Grammy wins, cementing his status as one of the greatest pianists of the 20th century. His passing in 2024 marked the end of an era, but his musical legacy continues to inspire and captivate audiences worldwide.
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