Immerse yourself in the enchanting world of classical guitar with "あなたと私 バリオス作品集1," a captivating collection of works by the legendary Agustín Barrios Mangoré. Released on January 1, 1999, this album is a testament to the timeless beauty of Barrios' compositions, brought to life by the skilled guitarist Daisuke Suzuki.
Spanning a duration of 1 hour and 15 minutes, this album features 18 exquisite pieces that showcase the depth and versatility of Barrios' musical genius. From the delicate "マドリガル (ガヴォット)" to the passionate "マズルカ・アパシオナータ (情熱のマズルカ)," each track is a masterclass in guitar technique and musical expression. The album also includes beloved pieces such as "春 (ワルツ)" and "ベートーヴェン-月光の曲," offering a rich tapestry of sounds that will captivate and inspire.
Recorded in May 1999 at the Makioka Town Cultural Hall, this album benefits from a pristine recording quality that allows every note and nuance to shine. Daisuke Suzuki's performance is nothing short of breathtaking, capturing the essence of each composition with precision and passion. Whether you are a seasoned fan of classical guitar or a newcomer to the genre, "あなたと私 バリオス作品集1" is an album that will leave a lasting impression.
Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."
Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.
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